I am a contemporary sculptor working with different materials, eg. wood, concrete, and I also have work done in stainless steel, bronze and aluminium. Making art is an obsession to me, I gain immense satisfaction from the whole process. I usually like to start a piece with a preconceived idea but that can lead off into different tangents at any time during the creative process.

All of my work starts in wood. Indoor pieces are given a textural finish and then painted to achieve the finished result that I am after. My work is influenced mainly by the Australian landscape, the environment has so much to offer an artist. Even though I am mainly an abstract artist some of my latest work is figurative, representing the human form in the landscape.

Rock God,  Wood, liquid metal,  H 1.8 m x W 110cm  x D 40cm. $ 4,850

DESIRE UNVEILED

A young, queer artist from Melbourne/Naarm, Tamara delves into the realm of self-reflexive eroticism through her diverse artistic mediums - painting, drawing, sculpture, and video performance. Her bold and thought-provoking work pushes back against traditional societal standards, exalting female strength and physical indulgence. Embracing an interdisciplinary method, Tamara skillfully explores the nuanced facets of sex, identity, and pleasure, striving to make these once-taboo topics mainstream in art. Drawing inspiration from the annals of Western art history, she steadfastly challenges the dominant male perspective, opting instead for a gray area that melds the feminine and queer viewpoints - a stance that fosters personal sovereignty, selfhood, and allure, catalyzing a newfound era of exploration and empowerment in feminine sensuality.

CATALOGUE

3550 : A Bendigo Collective 

150 kms north of Melbourne is the town of Bendigo. The town has a rich history of gold and culture, but it also has a thriving art community, which is itching to let the world know. This exhibition is showcasing a group of Bendigo artists who are kicking goals in the local art scene. Each has a different style, concept and approach to their work, but all successful in their own little niche. 

This show includes the artists Mr Dimples, Dale Harris, Chris Duffy, Sarah Wallace-Smith, Jed Shue, Cody Dewit-Hayes, Alicia Huddy, Bridie Margaret O'Toole, Kain White, Steven Stanley, Frankie O, Sarah the Painter, Matt Steel, Annie Brigdale, Maree Tonkin, Isabelle Kawai Vincent, Rhayven Jane, Kaz and Iain Wilson.

CATALOGUE

Marian Quigley returned to painting following her retirement from academia and began exhibiting her work in 2009. Her captivating works in acrylics are renowned for incorporating vibrant colour palettes, embracing a minimalist approach, and showcasing intricate hard edge abstraction techniques that mesmerise viewers with their depth and complexity.

My lifelong interest in architecture and design together with regular visits to our glorious city of Melbourne (I live on Phillip Island) prompted my artistic interpretations of its historic and contemporary buildings, bridges and other landmarks. Apart from the beauty of these structures, I am also inspired by the way in which their angles and curves can frame or link their surroundings - visually as well as physically. Sometimes, as with Eureka Tower, an unusual viewpoint will present itself, enabling the development of a unique and powerful composition. Other structures, such as Seafarers Bridge invite multiple interpretations. Utilising acrylics, my style is characterized by a hard edge technique combined with elements of minimalist abstraction and strong colour/tonal contrasts.

CATALOGUE

THREE ARTISTS SHOW EXHIBITION

Exhibition dates. 2O March - 31 March , 2024
Opening Reception : Thursday 21 March 2024, 6:00 - 8.30pm

Celebrate the beauty of the Autumn season with a stunning collection of artworks that capture the essence of nature's most enchanting time of year.

We are proud to showcase a diverse and talented group of artists based in various locations across Australia. Our collection features an array of powerful and captivating works that reflect the rich artistic landscape of the country.

Image by Hugo Mathias

Artists

Avan Anwar, Angela Cornish, Alia Borodina, Alex Bridge, Alistair Fowler, Andrea Hughes, Ardhitra Hanifah, Boonyarit Seeladech, Briellen Feeney, Christine Sender, Charlotte Finley, Caroline Lejeune, Deb Marshall, Dinusha Joseph, Daniel Sender, Deb Garrett, Deborah Bowen, Elaine Batton, Elizabeth Barr, Emilio Lozano, Elmniea, Fiona Barbetti, Georgia laurie, Glenda Brigham, Heiko Griessbach, Hugo Mathias, HAL, Helen Andrade, Inge Flinte, Irene Henning, James Hughes, Jon Hewitt, Jan Reid, Josh Dykgraaf, Janine McGuinness, Jenny Hall, Julie Milton, Karen Hammat, Kerry Liang, Ken Wight, Kathy Best, Kate Kiely, Liza Posar, Laetitia Um, Leah Hume, Maha, Marcus Encel, Mandy Dollery, Martine Zajacek
, Masa Hoss, Nani Puspasari, Olga Tsara, Olga Dziemidowicz, Paula Mackay, Robyn Blaikie, Rebecca Dzartov, Sandy Chuchat, Serena Entwistle, Sheena Mathieson, Sadie Stednitz, Sharon West, Sophie Farquhar, Salleigh Olsen, Tashi Columbro, Tamar Dolev, Tegan Iversen, Yvonne Millie

ENCASEMENT

Layer upon layer careful weaving of threads entwine with soft wet, white porcelain.

Wading through the mud, coaxing, massaging enclosing the thought.

An enclosed space an inner world attached but separate.

Swinging, swaying, rocking.

Breathe in, breathe out.

Let go shrug off the old.

let go of the known.

Time and space nurture a spark of something yet unknown.

Trial by fire changes softness to crystalline, opacity to translucence, plasticity to vitrification.

A synergy of a life half lived and a life renewed and changed forever.

A translucent light pouch.

Breathe in Breathe out

Break out

Blink in the light

Wings unfurl

Fly, Fly,  Fly,

Title: Encasement

Medium: Layered and hand formed Porcelain

Size: The installation is comprised of 30 individual ceramic pieces of varying size. H 11 x W 10cm to H 21cm x W 14cm.

The installation is H 2.9M x W 80cm x D 80cm

Price: $120.00 per piece

PAUL LASPAGIS

Exhibition dates. 6 - 17 March , 2024

In the bigger picture there are two basic realities. There is the physical reality of light, form and space in which all life exists and there is the metaphysical reality within the spirit of each conscious individual. For me, as a practising artist, painting and drawing function as records of the dialogue between the two. I studied at the national gallery school under John Brack and Alun Leach-Jones. Over the years I have evolved a pictorial style which focuses on a structured subliminal order underlying the presence of the landscape and the figure.

Wang Chen's inspirations mainly come from her family history and personal memories. She explores feminist themes such as the female body and libido, as well as significant milestones in women's lives, including the transformative experiences of pregnancy and motherhood. Chen's art practice also explores her East Asian cultural identity, which intertwines her connection to her homeland and the emotions associated with her diasporic experience as a first-generation migrant to Australia.

The installation project "Motherhood" consists of eight pieces that explore motherhood through the symbolic use of red string, representing the inescapable responsibilities of motherhood, and the blood between the artist and her daughter, weaving its way through each stage of the journey of accepting the new identity. Through this simple yet powerful material, Wang Chen's work explores the complex emotions of navigating motherhood through the challenges of this transformative time in a woman's life.

UNCERTAIN CONTOURS OF IMAGES

"Uncertain Contours of Images," a solo exhibition Sayoko Suwabe, which challenges traditional perceptions of art in a digitally saturated world. Suwabe argues that paintings are not static entities, but dynamic products of image processing and interpretation, their essence is in evolving with emotions, ideas, and memories. The exhibition explores the interplay between materiality and immateriality in paintings, considering their physical existence alongside digital forms. Her installation consists of performances, paintings, videos, immersing viewers in a contemplation of art's fluidity within consciousness, blurring reality and imagination. The works are created during the residency program at Bundanon and BigCi in NSW.

By challenging preconceived notions and encouraging active engagement, it seeks to foster a deeper appreciation for paintings’ transient and ever-evolving nature in an increasingly digital world.

This exhibit will be held with support from the Nomura Art Foundation and the Pola Art Foundation. 

Press release

SEYHAN CAMGOZ

Exhibition dates. 21 Feb - 3 March , 2024
Opening Reception : Thursday 22 Feb 2024, 6:00 - 8.30pm

Seyhan Camgoz is a photographer and creative artist based in Melbourne. She is equally interested in the moments and her works consist of sequences to implement these moments on still photographs.

Her works create sequences that not only exhibit the beauty of the moment but also convey the emotions and context that come with it. Her works are a testament to her dedication to photography, as well as her deep appreciation for the art of storytelling.Seyhan's style is heavily influenced by historical art. She finds inspiration in various art forms from different eras and uses this inspiration to create her compositions. One can see this influence in her works, which possess a certain timelessness that transcends the present moment.

She can become obsessed with anything if she observes it long enough. This trait is evident in her work as she delves deep into every subject she captures, resulting in photographs that are not only beautiful but are also profound and thought-provoking.

"I am not interested in what something looks like, I am passionate about exploring what it feels like while photographing my subjects."

Distorted Memories

"Distorted Memories" is a photographic project that delves into the complexities of human memory and its connection to the vulnerability of the nude body. Through the collection of images, this project explores the interplay between memory, perception, and identity.

All profit is donating to Rspca

My Sculptural works come from a very exploratory process, stepping into the studio with no preconceived ideas, armed with just enthusiasm and playful curiosity, this is the most enjoyable part for me, where anything is possible, and I can be just free to create. After this exploration I turn to creative problem solving, trying to gauge what material would lend itself best for creating this said piece, In the past I primarily have used steel, timber, lighting and bronze casting as mediums for creating my work.

 The use of clean lines as building blocks in my art has always been intuitive for me. It’s a way I can bring structure, form and control into my world.  

My work represents my ongoing journey beyond self-doubt, towards self expression through colour, repetition and form.

Tarn Watkinson is a highly talented artist from New Zealand. He uses a fine pen to create intricate and breathtaking artwork. His unique ability to create abstract languages and imaginary worlds is astounding. Watkinson combines his love for cityscapes, fantasy realms, and comic art to create a beautiful body of work. Influenced by his background in graphic design, he brings his vision to life on paper, transporting viewers to his amazing realm. His artwork has gained recognition in galleries around the world, including Melbourne.

Watkinson has also embarked on residencies in fascinating places like Iceland, Amsterdam, and Portugal, using their cultural diversity and artistic heritage as inspiration. His diverse artistic practice includes drawings, collages, and animation, blending various techniques to create thought-provoking and visually stunning artwork.

Presenting a captivating exhibition, the Group Show of five features a diverse array of talented artists based in Melbourne, each renowned for their exquisite work in print making. Each artist has a unique style and technique developed from their own experiences. This diversity results in a wide range of techniques and styles, making the exhibition a rewarding endeavor that caters to varied preferences. Such an approach appeals to seasoned art enthusiasts and those who are just beginning to explore their artistic inclinations.

Artists

Marcus O’Donnell

Sophia Szilagyi

Angela Coombs Matthews

Sorcha Mackenzie

Silvi Glattauer

Marcus O’Donnell is an artist, writer and academic working across traditional and digital print media. His abstract layered imagery explores pattern, chaos and complexity at the intersection of bodies, sexuality, and landscape. Marcus trained as an artist and exhibited in the 1990s and early 2000s but has only recently returned to public art-making after a time concentrating on his academic career. In 2022 he was awarded 2nd prize in the Jack Wilkins Experimental Photography Prize. He has been a finalist in the Milburn Prize (2023); the Mullins Conceptual Photography Prize (2023); the Olive Cotton Award (2023) and the Tacit Still Life Prize (2022). He is actively involved in the printmaking community and is a member of the Baldessin Press & Studio Committee of Management, a not-for-profit access, education and editioning studio.

 A strange appearance – variations is part of his ongoing Dark Ecology series: abstracted variations on landscape and still life traditions investigating our troublesome representation of ‘nature’, all at once beautiful, monstrous and mysterious. The series uses layered imagery produced as pigment prints or photogravure etchings, or as is the case with the current work, a combination of the two processes.

A SOUL FULL OF COLOURS

In the past decade, I've created many colorful artworks. I overcame cancer and now spend my time painting and practicing meditation and positive thinking. Cancer taught me valuable lessons that I wouldn't have learned otherwise. Through a combination of meditation, positive thinking, and art, I discovered my true self and found immense joy in life and work. By practicing Raja Yoga Meditation and intuitive painting, I express my love for colors and composition, reflecting my inner spirit. Raja Yoga Meditation involves open-eyed meditation, which perfectly complements my painting process. My artworks are a reflection of my universe, vibrant and unique. My vivid imagination is my closest companion, always inspiring me. It's astonishing what lies within the depths of the subconscious mind.

Pamela See (Xue Mei-Ling) is a visual artist who practices contemporary papercutting. The medium in the form we recognise today evolved in China between the fourth and sixth centuries.

.…by Celestials is a participatory artwork designed to help residents of Fitzroy and the broader Sol Gallery community mark the beginning of the Gregorian and Lunar New Years. It involves the installation of a papercut composition in The Window Room.

The primary subject will be a red Eastern Bearded Dragon. In the background of the composition will be white Casuarina and Chinese cucumber flowers. These will symbolize the contributions Chinese migrants made during the 19th century as furniture makers and farmers.

The participants will embellish this foundation with their own colourful cutouts. They will be encouraged to make papercuts that reflect other ways Celestials contribute to the Australian cultural landscape.      

*As China was formerly regarded the Celestial Kingdom, “Celestials” is a term used to describe settlers from a Chinese background up until the early 20th century.

Asooraguy is a street artist based in Naarm/Melbourne, renowned for his iconic creation, "Bluxky," a fusion of East and West influences simplified into a pop culture emblem. His artistic contributions are primarily recognized throughout the streets of Melbourne and its surrounding suburbs. Asooraguy's artistic endeavours extend to various notable events, including participation in the International Poster Exhibition in Indonesia, the Birchip Street Art Festival and the Graff Street project in Belgrave. He has also showcased his artwork in gallery exhibitions across Australia, Thailand, and Indonesia, with his artistic journey continuing to thrive.

AT ALL COST

When we commit to following our passion, the price we pay may be everything we have.

In this exhibition, Asooraguy has portrayed Bluxky using classic game characters from the 80s-90s as symbols of the unwavering determination they put into achieving their missions. This portrayal integrates street art elements, transforming them into dynamic paintings. It’s a representation of giving everything—a concept we often refer to as at all costs.

MOOD PALETTE

Wuko, a Thai artist influenced by Oriental mythology, draws inspiration from a childhood immersed in the rich culture of growing up in a Chinese Buddhist family. His art, often described as a blend of manga characters, delves into the complexities of human belief through his signature character ‘Buddhie,’ inspired by Buddha. Navigating the intersection of spirituality and social life, Wuko sparks contemplation on the diverse and sometimes perplexing nature of our beliefs. He actively participates in street art events in Thailand and collaborates with animation companies, including contributions to visualizations for Dubai World Expo 2020. Continuously exploring techniques without boundaries, he strives to create something new.

”Mood Palette“ To this day, people in our society navigate various roles and moods that sometimes adapt to blend in and other times embrace hard work to outdo achievement. In this exhibition, ‘Buddhie’ explores life’s myriad emotions across six vibrant canvases, blending Oriental Buddhist and cartoon influences. Reflecting on the intricate dance between spirituality and social life through elemental forces, the ‘Mood Palette’ unfolds to review the hues that define the diverse duties shaping our lives.

GROUP SHOW : DIVERGENCE

'Divergence' unfolds as a fascinating journey into the unique artistic expressions found within a common space. This exhibition showcases the distinctiveness of five visual artists and illustrators as they embark on personal odysseys, unveiling their individual styles. Each artist contributes to the rich tapestry of our artistic landscape, weaving a vibrant and diverse narrative that celebrates the beauty of artistic differences.

Artist: Cat Parker, Misu Juju, Nani Puspasari, Sasha Heath, Tegan Iversen.

Image by : Nani Puspasari, The Bobalisa, acrylic on canvas, 90 x 90cm

ARTIST BIO & CATALOGUE

REVERIE: AN ARTISTIC ODE TO RESILIENCE IN NATURE

"Reverie" is an immersive art exhibition that celebrates the profound connection between rescue animals and botanical life, inviting viewers to explore the transformative power of resilience, hope, and inspiration. This exhibition seamlessly blends the worlds of animal rescue and botany through a diverse range of artistic mediums, showcasing the harmony that can be found in the unlikeliest of places.

The overarching theme of "Reverie" revolves around the idea that life can thrive and flourish even in the most challenging circumstances. It highlights the stories of resilience, recovery, and adaptation in both rescue animals and the botanical world.

END OF THE YEAR SHOW !!!
ALL ARTWORKS UNDER $1000

Celebrate the joyous season at SOL GALLERY! Immerse yourself in vibrant art as we showcase our exquisite collection, crafted by passionate artists. Discover captivating paintings, intricate sculptures, stunning prints, mesmerizing illustrations, and breathtaking photography. Whether an enthusiast or seeking a unique gift, our diverse collection offers something for everyone. Let art ignite your senses this joyous season!

Great gift for Xmas and New Year or for your own collection.

BUY NOW or CRY LATER!!

Artists
Annette Chang, Andy Timmins, Amy Kim, Andrew Anka, Andrea Hughes, Avan Anwa, Ash Falling, Ash Brom, Alistair Fowler, Alia Borodina, Angie Russi, Arjang Razzazian, Amena Bandukwala, Ana Hanson, Alice Wang, Adrian Olguin, Amina Qasim Zada, Anna Flemmert, Arabella Strachan,Boonyarith Seeladech, Brendan Williams, Creature Creature, Candy Ng, Carmel Cosgrove, Celeste Magee, Carol Rowlands, Charlotte Finley, Daniela Strauss, Elise Pahlow, Eddy Burger, Gillian Martin, Geoffrey Odgers, Guste Sakalauskaite, Hugo Mathias, Hannah Baum, Hans Schiebold, Helen Andrade, Isbella Imperatore, Isabel Deakin, llin Ho, Inge Flinte, JUHWA, Jenny Hall, Jacqui Norman, Jemima Longworth, Jessica Davidson, Jess Silverio, Julia Tran, Julie Milton, Jan van den Berg, Jacinta Tomyn, Jacqueline Claire Smith, Josephine Powell, Jason Clifton Harris, Jordan Benson, Jaimee Wright, Kieran O'Shannessy, Konatsu Honda, Kelly Sullivan, Karen Chappelow, Kathy Best, Kimberley Cardow, Kristen condon, Katherine Masiulanis, Letizia Faba, Lauri Smith, Lee-Anne Raymond, Lucy Allnutt, Lemonia Kokelidis, Leah Hume, Melanie Thoren, Marcus Encel, Mary Nguyễn, Mina Afra, Mimi Ghali, Masa Hoss, Martin Jaekel, Melanie Van loo, Nani Puspasari, Nina Killham, Nicole Robertson, Ortiz-Mascareno, Okhee Choi, Olga Tiara, Paula Maggs, Patricia Robertson, Penelope Le Petit, Petite Morto, Phil Hayes, Richard Morden, Richard Harris, Ryan Pola, Rochelle Malaeb, Rosemary Clark, Shin Koyama, Sheng Yi Lee, S.A Vandort, Santiago Mals, Samuel O'Malley, Sophie Leuschke, Silvi Glattauer, Sandra Slavec, Sonya Nguyen, Sophie Leuschke, Thang Do, Tim Coleman, Tina Yaqoubi, Therese Hautea, Tone Mathews, Tainted Press, Tamara Bellion, Tori Swedosh, Ulises Resendiz, VKM, Valé, Wendy Yong, Wendy Grace, Yeonjoo Park, Yara Jäkel, Yoony Yoony

Cr. Image : Frida by Hugo Mathias

During 13 - 24 Dec, We are open on Tue - Sun 11:00 - 6:00 pm.

Scarlette's first collection of paintings is an expression of love and reverence for the human body. Using a unique approach to watercolour, acrylics and gouache, and a biologist's eye, these works take delight in the sublime tragedy of being a living creature, in our human form as it exists in the natural world, and in the absurdity of trying to place our biological selves within social and cultural constructions.

Anatomised human forms show the ways in which our bodies are both vulnerable and powerful, both deeply personal but also universal, and other paradoxes of our physical existence. 

Pavisa Meesrenon, who also goes by Pabaja, is not just a talented Thai textile designer and digital illustrator, but also a creative genius with the ability to breathe life into the sometimes limited aesthetic range seen in digital art. Her work stands out due to its unique ability to capture the essence of the Akha tribe's textile tradition and translate it seamlessly into the digital medium.
Pavisa's designs draw inspiration from the Akha tribe in Thailand, showcasing their patterns and motifs. Her digital illustrations effortlessly blend traditional techniques with modern technology, celebrating the past and embracing the future. Pavisa's intricate designs captivate the eye and tell compelling stories, fostering a deeper appreciation for the Akha tribe's craftsmanship. Through her innovative approach, she pushes boundaries and reminds us of the transformative power of creativity in uniting cultures and mediums.

Nilraya’s work draws on lifestyles that convey the uniqueness of each individual, expression of freedom through distinct personal fashion choices, and emotions communicated through a variety of colours and beauty in one’s presentation. 

This self expression creates novelty and sparks fashion trends that evolve with the times, creating excitement for the vibrant and diverse, expression and individuality.

These observations serve as an inspiration to the artist who in turn uses their handcrafted sewing techniques to reflect their individuality through the uniqueness of their creations.

DIFFERENCE AND REPETITION IN FIELDS OF COLOUR

The paintings in this exhibition are influenced by Deleuze's ideas about difference and repetition. The paintings are composed of several overlapping and intersecting layers of lines and patterns within colour fields. The process involves repetition, intuition, and reflection. The repetition involves painting while listening to music, intuitively selecting colours and applying thin washes of colour until a resonating multi-layered multi-tonal colour field develops. Additionally, I draw squiggly lines and patterns that assemble and detach across the canvas to reflect my mosaic mind as it shifts from one thought to another; or to reflect the music I listen to as it shifts from one tune to silence and then another tune. I continue this process creating different plateaus of lines, patterns, washes and experiences until the painting reaches some form of resolution. My painting process involves repetition but each repetition creates a new experience thus creating ‘difference’ and new pictorial resolves.

BACKROADS

Backroads is a series of paintings of the country landscapes around my home. It explores directions and shortcuts, while ignoring warning signs from our environment. It happens sometimes.

Sarah is an artist based in Orange, NSW. Her work is informed by a Bachelor of Creative Arts, Wollongong in 2013, Masters Fine Art (coursework), RMIT in 2015 and Grad Cert of Art History, from the University of Melbourne. She has completed residencies in Tasmania, Thailand, Vietnam, South Korea and Ireland where her paintings have been collected publicly and privately. In 2018, she exhibited as an Australian artist in the Jeonnam International Sumuk Biennale (Mokpo, South Korea), following a residency in the Bank of Fishermen Building. In 2019 and 2023, she was a finalist in the Calleen Art Prize, STILL in 2021, as wells the Lloyd Rees Memorial Youth Art Award