Textile Collision - The Boarders by Samantha Lord

The artist's  artistic journey, during Two Worlds collide the artist found a deep resonance between the cultural richness of India and her own experiences in Australia. Despite the shared colonial histories and myriad differences, there is a profound connection through the universal language of art, craftsmanship, and symbolism.

From a young age, she has been captivated by Indian textiles—dying, crochet, knitting, weaving, embroidery, and beading. Her life has been adorned with Indian artifacts and antiques, including a cherished tablecloth now 50 years old. These pieces are more than mere objects; they are vessels of history, tradition, and artistry.

As a textile artist, she has long sought to explore and celebrate these rich traditions. Her love for Indian-inspired clothing and decor from the 70s, found in op shops to complete her hippy attire, reflects a lifelong admiration for the intricate beauty of Indian craftsmanship.

At Confest Festival in rural Victoria during the 90s, as a late teen artist, she embraced the symbolic and abstract geometry that has continually inspired her work. It is this same reverence that drives this latest piece: a reimagining of the faded border of her Indian block print tablecloth. By bringing it back to life, she honors the meticulous craftsmanship that has captivated me for years.

The Dutch, who traded in spices and textiles long before English colonization, also appreciated the splendor of these creations. Their recognition, both for the good and the bad, echoes the universal appreciation of fine craftsmanship and cultural exchange.

Through this artwork, she aims to bridge the past and present, celebrating the enduring beauty and significance of these artistic traditions. Whether through the patterns of a tablecloth or the textures of a textile, we find common ground in the shared appreciation of artistry and history.